Book & Author Details:
Publication date: July 26th 2013
Genre: NA time travel dystopian novel
Synopsis:
A new dystopian novel from the author of Jenny Pox - coming July 26.
They took everything: her family, her home, her childhood.
By the age of nineteen, Raven has spent most of her life in the sprawling slums of America, fighting as a rebel against the dictatorship. When the rebellion steals an experimental time-travel device, she travels back five decades to the year 2013. Her plan: assassinate the future dictator when he is still young and vulnerable, long before he comes to power. She must move fast to reshape history, because agents from her own time are on her trail, ready to execute her on sight.
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Excerpt
Her hands were red with blood, but the cold rain washed it away. Whose blood? She couldn’t remember.
She became aware of pain throughout her body. Freezing water and tiny hailstones lashed her face as she stumbled through a storm. Dying thunder echoed in her ears, and crackles of lightning faded in the night around her.
A pair of lights rushed toward her through the darkness, but her brain couldn’t interpret what her eyes saw. A long screech ripped through her ears, followed by shrill bleats.
Car horns, she realized as the lights loomed closer. Through her thick, fuzzy brain, it dawned on her that she was staggering along a multi-lane road, seconds away from getting splattered across the oncoming grill of an eighteen-wheeled truck.
She discerned a dark space off to her left and moved into it, stepping from hard pavement into squishy wet earth. The truck that had nearly killed her squealed past as the driver braked, dousing her with a wave of cold mud. Horns blew at the stopped truck blocking up the left lane.
She rubbed her eyes and tried to grasp her surroundings—a grass median dividing an interstate highway, up to her ankles in frigid mud.
She couldn’t remember where she was, or how she’d come to be there. After a moment’s reflection, she realized she wasn’t entirely sure who she was, either.
Raven, she remembered. She clung to that word like a lifeline. My name is Raven. It is now, anyway. She’d once had a different name, but that original, scribbled-on-the-birth-certificate name no longer mattered.
She wore black boots and a long black jacket. A backpack weighed down her shoulders, but she didn’t know what it contained. She trudged on weak, trembling legs toward an overpass bridge ahead. Once she was out of the downpour, she could gather her brains and figure things out. She didn’t seem to be bleeding, so the blood on her hands must not have been her own.
“Hey! Hey there, girl! You all right?” shouted the truck driver who had almost flattened her. More cars honked and swerved to avoid crashing into the back of his trailer, which was decorated with puffy pink sheep.
Raven squinted up at him. The man was in his forties, severely overweight, with a handlebar mustache and scratchy, graying beard stubble. His blue and white cap read: MoonPie: The Original Marshmallow Sandwich!
“I’m fine!” she shouted through the downpour. “Keep going!”
“You got a car?” he asked.
“No,” she told him. “I don’t think so.”
“Where you headed?”
“I don’t know.”
“The troopers gonna lock you up if they see you! You drunk or what?”
“I don’t think so.” She raised a hand to her mouth to check her breath. Not drunk.
The trucker eyed her up and down, a soaking wet girl stumbling along the interstate alone at night, and then he swung open the passenger door.
“Best climb on up in here with me,” he said. “Gonna freeze your pants off out there.”
Raven looked at the gruff, obese man and the warm, sheltered transport he was offering, and then at the overpass bridge in the distance. Her legs were rubbery. She might not make it to the overpass before she collapsed.
“Lady, I got to get moving,” he said. “You want a ride to the exit or what?”
“Yeah,” Raven said. She had no reason to trust him, but he seemed soft-bodied and slow. If he tried to get rough, she would break his wrists. Even in her current state, she knew she could take him if he pushed her to it.
Raven stumbled around to the passenger side and struggled to climb with her weakened limbs until he took her arms and pulled her up.
“Thanks,” she whispered, still shivering. She was almost too weak to pull the door closed.
“Just glad you ain’t tore in half.” He settled back into the driver’s seat, and it groaned under his weight. “You musta been one, two, three, four inches from me. Or less. Just popped up outta nowhere when that lightning hit.” He drove cautiously through the storm. “Didn’t seem like no normal lightning, you ask me. What was you doing out there? That big flash hit the road, then you come stumbling out....Did the lightning get you?”
“I don’t know,” she said. The interior of the cab smelled like cigarette smoke and old hamburgers. A collage of small objects was glued to the dashboard—action figures, an old watch face, postcards, salt and pepper shakers. Hail clattered on the cab’s roof.
“You don’t know?” he asked.
“Sorry.” Raven shrugged off her backpack and set it on the floor between her wet boots. She wanted to see what was inside it, but not while he was watching.
“It’s Jebbie, by the way.” He offered his calloused hand, and she hesitated a moment before taking it. “Jebbie Walters. From Yazoo City, Mississippi. You got a name, darling?”
“Angela. That’s my name,” Raven said. She knew not to trust a stranger with data about herself. He might be the enemy, and she felt informants and spies were everywhere, looking to report those who resisted.
“Huh. Where you from, Angela?”
She tried to remember, but finally shrugged.
“You ain’t gotta tell me,” he said. “You going north? Cause that’s where I’m going, way up north of here. You might want to hop out quick if that ain’t your plan.”
“I’m not sure.”
“You ain’t sure about much of nothing, are you?”
“Not right now,” Raven said.
“I guess I ought to drop you up at the exit.”
“You can.” Raven shrugged. “I think I’m lost.”
He looked her over again. “Tell you what. About three, four, five miles from here’s a good spot, the Big Porcupine Travel Plaza. Got showers, motel rooms, an all-night-you-can-eat place. We could stop there, get you a place to sleep. Maybe in the morning you’ll start to remembering things. I figure you just need to sleep it off. You’re on drugs or something, ain’t you?”
“Maybe,” Raven said.
He laughed. “It’s okay by me. I don’t do drugs, myself. Just pills and booze. Well, you think about what you want to do.”
He turned up the radio, where a woman sang a slow, gentle song that Raven gradually recognized. Someone—her mother?—had once played it on the piano. It was an old song called “The Rose.”
“Uh, sorry.” Jebbie blushed pink and spun the radio knob. “I, uh, usually find a good honky-tonk or country gold station. Don’t know how my radio ended up on that soft-rock junk, or whatever that was. Yeah, here we go.” He found a song with a steel guitar and a man singing about his wife leaving him for his boss.
Raven looked at herself in the rain-streaked side mirror. She was about twenty years old, maybe nineteen. That felt right. Her black hair was pulled into a short ponytail with a rubber band. She wore all black: boots, fatigues, blouse, backpack, jacket. The knee-length jacket was made of a stretchy artificial material with a texture like a crocodile’s back. She felt a web of metallic fibers between the layers of leathery fabric. That’s armor, she realized, and she wondered why she might need armor. Her only jewelry was on her left wrist, a thin silver bracelet with a large moonstone.
She tried to reach back in time with her mind. She’d been stumbling along the highway. The moment before that: what? It was a solid blank slate, as though a giant magnet had wiped her brain clean. Perhaps the trucker was right, and she’d been struck by lightning.
Raven, she reminded herself. I know my name.
AUTHOR BIO
J.L. Bryan studied English literature at the University of Georgia and at Oxford, with a focus on English Renaissance and Romantic literature. He also studied screenwriting at UCLA. He lives in the metro Atlanta sprawl with his wife Christina, where he spends most of his day servings the toddler and animal community inside his house. He is the author of the Paranormals series and the Songs of Magic series.
Author Links:
Interview with J.L. Bryan
First, tell us about yourself—where you live, your family, and those sorts of details.
I live in Georgia, where it’s rainy and warm and little green plants grow on top of everything. I’ve even found them growing on my car. I live with my wife, our ridiculously active two-year-old son, a Boston terrier, another dog that looks sort of like a kangaroo crossed with a dingo, and two cats that aren’t any specific breed, either. I am not very good at keeping up my lawn. I’d rather be reading a book.
How long have you been writing?
My elementary school had a “publishing company” where volunteer moms would bind up your poetry or stories into little books with colorful cardboard covers. I started writing stories then, in first or second grade. I wrote my first novel when I was twelve—it was called Dogboy and concerned a boy who dressed in a dog costume and mistakenly believed he was a superhero. I continued writing books (very bad, amateur books) for years and studied English literature and screenwriting in college. I published Jenny Pox in July 2010 and became a full-time novelist in November 2011.
Do you have a favorite place to write?
I know it’s strange, but I like to write at my desktop computer in my office. They haven’t yet invented a portable computer on which I enjoy writing; I think it has something to do with the keyboard. I like the keys to clack. When I’m editing, I like to print out a copy and take it somewhere else, like a coffee shop or a not-very-crowded bar. Being in a different environment helps me focus on reading the book, since I don’t have the whirlwind of distractions that I do at home (I mentioned the toddler, right?).
You’ve written the Jenny Pox books, which are sort of horror/paranormal, and the Songs of Magic series, which are silly stories about fairies. Your newest book, Nomad, is a “time-travel dystopian.” Why don’t you settle down and pick a genre?
I should, but I get distracted by shiny new ideas all the time. I don’t like to confine myself to just one kind of story. I think that if I keep exploring the story ideas that excite me, regardless of whether they fit what I’ve done before or whether they’re even marketable, I’m more likely to write something unique for readers to enjoy.
Why did you decide to write Nomad?
At first, I was testing out a certain unusual idea about time travel and what could happen if you create a paradox. As I began writing the story, I grew very interested in the main character. She grew up in a destroyed, war-torn future America, and I was interested in how such a hard childhood among rubble and ruins had shaped her. She had to scavenge to survive. When she travels back to 2013, she’s shocked at how plentiful and cheap everything is. She’s driven by her mission, but under all her scars, she has a strong heart. She’s intelligent. She’s a battle-hardened fighter. I really enjoyed writing that character.
What’s next for you?
I’m looking at a couple of horror/supernatural story ideas. My next book will be something darker, like Jenny Pox or Nomad, and then eventually I’ll write more of my fairy series. I don’t keep a very strict plan, I just write whichever story seems ready at the time.
Thanks so much for having me on your blog for the Book Blitz celebrating the release of Nomad!
Diagnose Your Dystopia!
Guest post by J.L. Bryan
Something’s not right with the world. You know it, you can feel it, and you’re probably going to die because of it. Congratulations, you’ve just discovered that you live in a nightmarish dystopian future!
The next question: what kind of dystopia? If you’re going to live, you’ll need to know this stuff. Fortunately, we’ve assembled a handy checklist to help you diagnose your dystopia.
Total Surveillance State: If they’re watching your every move, including your facial expressions and body language so they can read your thoughts, and eavesdropping on all your conversations...hey, you’re not paranoid, you just live in an Orwellian total surveillance state! Odds are, they’re trying to control all media and information, including changing past records to suit their ever-changing lies. There may be no escape, so your best bet is try and hook up with that hottie from work before the oppressors destroy your mind and soul. Good luck!
Game Show-ocracy: If you find yourself cast into a game-show-to-the-death with a name like “The Running Man” or “The Hunger Games,” then you’ve entered a world where game shows keep the public complacent. If you play the game right, you might just topple the evil rulers of your society, but you’ll have to break a few rules to succeed. If you’re trapped in a game show-ocracy, my best advice is to contact Alex Trebek from Jeopardy! That guy has all the answers.
Happy Dystopia: Hey, maybe things aren’t so bad. Maybe in this Brave New World society, the rulers encourage sex, drugs, and other completely harmless entertainments to keep the population busy and content. You can try to whip up a rebellion if you want, right after you take your happy pills, eat your chocolate, get a pedicure and a massage...maybe have a nap...is this really a dystopia?
The State of Weird Ideas: Is everyone forced to wear pink bunny hats at all times? Or perhaps the letter “Q” is forbidden by law? Sounds like you live in a world where a completely loopy-fruits dictator has come to power! Your best bet is to play along while it lasts, but if you really want to shake things up, try being even weirder than the law requires.
We hope that this short pamphlet has somewhat enhanced your chances of surviving through this unfortunate dystopian period, and living onto into the even more miserable dark age to come!
GIVEAWAY
(1) ebook copy of
Nomad (mobi or epub). (Open internationally)
For a chance to win:
In the comments below, you could tell us what kind of dystopia you would prefer, or which kind you would most want to avoid.
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